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Paige has fallen hard for her sexy, new, alpha wolf boyfriend Travis. He's everything she could want in a man: strong, decisive, confident and it doesn't hurt he's built like a brick house. She's never experienced this: making love, every night, to a man with this much raw animal passion. But, he still hasn't lost sight of his mission: get revenge for the death of his pack and reclaim his homeland. The elder wolf Dario has been spending a lot of time with Travis and together they may be on their way to getting that revenge. Will Paige be ready when the fight comes directly to her doorstep? Are her feelings strong enough to endanger her life?


Written By: McMann, Lisa


The visions aren’t stopping, and neither is the danger in this third “dramatic, quick-paced thriller (Kirkus Reviews)” in a series from the New York Times bestselling author of the Wake trilogy. After narrowly surviving two harrowing tragedies, Jules now fully understands the importance of the visions that she and people around her are experiencing. She’s convinced that if the visions passed from her to Sawyer after she saved him, then they must now have passed from Sawyer to one of the people he saved. That means it’s up to Jules to figure out which of the school shooting survivors is now suffering from visions of another crisis. And once she realizes who it is, she has to convince that survivor that this isn’t all crazy—that the images are of something real. Something imminent. As the danger escalates more than ever before in the conclusion to the Visions series, Jules wonders if she’ll finally find out why and how this is happening—before it’s too late to prevent disaster.


After a heated confrontation between the two alphas, Mila realizes that teaching them to share her is a pretty lofty goal. As she begins to have major doubts about her place in their world, it’s up to Asch to show her why she is just the woman his pack needs. Caim never wanted to like Mila, but now that he’s had her, he wants her all to himself. But after a hard lesson, he has to face the fact that he may not be able to give the human everything she needs on his own. Can the pair of dominant alphas really share Mila? And if so, is she ready to take them both on? Claimed by the Alphas: Part Two is 12,500 words of werewolf/BBW romance. It is the second entry in the Claimed series, and contains strong sexual themes and ménage romance. It is a sequel and is not intended as a standalone episode. 


Brittany Baldwin was helplessly in love with her sexy, much older boss. But the sophisticated college professor wanted nothing to do with an innocent like her. Well, she wasn't going to let that stop her, especially since Ethan Thorpe was the only man who'd ever made her tremble with desire. Between his toddler son and elderly father, Ethan's life was already in an uproar! There was nothing he needed less than young and virginal nurse-turned-nanny Brittany tempting his weary soul. Yet despite his vow to stay clear of the delectable beauty, he couldn't help wanting to teach her about a man's tender touch…


One day in a beautiful garden a young half Italian, half Russian boy met the daughter of his father’s African American business associate for the first time. Nineteen years later destiny brought them together for a second time. After the tragic death of his mother, Nathan Salerno decided to live a life devoid of love. His only goal in life was to live up to the expectations of his highly feared Mafia Boss father and make him proud to have him as an heir. As the anniversary of his mother’s passing drew near Nathan prepared to do what he did every year— disappear. When his childhood friends convinced him to join them on a vacation instead, Nathan’s life was changed forever. Carter Steele couldn’t remember her mother and thought she would never heal from witnessing her father’s murder. After that tragic night she moved to Hope Beach under a new identity. Her new life was far different from her previous one and hiding her true identity was harder and lonelier than she’d ever expected. That was until she spotted the handsome blond in the BMW. Will Nathan and Carter’s love survive the obstacles they face?


Miranda is back … and she’s back with a vengeance. Her sight is set and her target is Tench. Too many people in her life have fallen at the hands of the man who has a strange obsession for with her. Could Miranda be his next victim? She knows how her friend Sally died, but she still doesn’t know why. Could this information be the key to unlock everything the Agency needs to put Tench away forever? Or is an unlikely ally and a piece of her past the answer to it all? Her heart may be torn with grief, but her head is filled with a burning reprisal. Could Tench’s unhealthy desire for Miranda be her best weapon against him … or will she push him too far?


Kagen Silivasi is a powerful, ancient vampire with a unique gift for healing – he is also a son, a brother, and a loner who has survived unspeakable tragedy and loss: Beneath his handsome, well-mannered exterior lies an alter ego consumed by rage and an overwhelming impulse to “kill them all…” Arielle Nightsong is a brave human, a rebel spirit, and an accomplished healer in her own right. Born into a harsh world of violence, cruelty, and danger, she was enslaved at the age of ten and given as a gift to the most depraved being in Mhier – the infamous king of the lycans. If not for her enduring friendship with a captive vampire, she might not have survived to escape the slave encampment…or to discover her mysterious role in an ancient Blood Curse. When Kagen and his brothers voyage into Mhier in search of their long lost father, it will take more than stealth and cunning to get out alive: Secrets will be revealed; loyalties will be tested; and an indomitable spirit will fracture beneath the weight of an impossible choice.


When John Blessing dies and leaves behind two small children, the loss reverberates across his extended family for years to come. His young widow, Lauren, finds solace in her large clan of in-laws, while his brother's wife Kate pursues motherhood even at the expense of her marriage. John's teenage nephew Stephen finds himself involved in an act of petty theft that takes a surprising turn, and nephew Alex, a gifted student, travels to Spain and considers the world beyond his family's Northeast Philadelphia neighborhood. Through departures and arrivals, weddings and reunions, THE BLESSINGS reveals the interior worlds of the members of a close-knit Irish-Catholic family and the rituals that unite them.


Following the cliffhanger ending of Phoenix, Natalie finds herself separated from Ash and unexpectedly reunited with her parents, including the father she thought was dead. But she can only think of Ash. She hasn't heard a word of him since she and Elijah were brought to the underground headquarters of the Sentry Rebellion. But she vows to find him. Ash, meanwhile is back in Black City; it's the perfect place to hide from the Sentry government. But not for long. He won't give up on Natalie or bringing an end to the terrible reign of Purian Rose. A pulse-racing end to an exciting series.


From Publishers Weekly In contrast to the utopian official literature of Communist China, the stories in this wide-ranging collection marshal wry humor, entangled sex, urban alienation, nasty village politics and frequent violence. Translated ably enough to keep up with the colloquial tone, most tales are told with straightforward familiarity, drawing readers into small communities and personal histories that are anything but heroic. "The Brothers Shu," by Su Tong (Raise the Red Lantern), is an urban tale of young lust and sibling rivalry in a sordid neighborhood around the ironically named Fragrant Cedar Street. That story's earthiness is matched by Wang Xiangfu's folksy "Fritter Hollow Chronicles," about peasants' vendettas and local politics, and by "The Cure," by Mo Yan (Red Sorghum; The Garlic Ballads), which details the fringe benefits of an execution. Personal alienation and disaffection are as likely to appear in stories with rural settings (Li Rui's "Sham Marriage") as they are to poison the lives of urban characters (Chen Cun's "Footsteps on the Roof"). Comedy takes an elegant and elaborate form in "A String of Choices," Wang Meng's tale of a toothache cure, and it assumes the burlesque of small-town propaganda fodder in Li Xiao's "Grass on the Rooftop." Editor Goldblatt has chosen not to expand the contributors' biographies or elaborate on the collection's post-Tiananmen context. He lets the stories speak for themselves, which, fortunately, they do, quietly and effectively. From Library Journal The 20 authors represented here range from Wang Meng, the former minister of culture, to Su Tong, whose Raise the Red Lantern has been immortalized on screen. *** Chinese literature has changed drastically in the past thirty years. During the Cultural Revolution (1966-1976) arts and literature of all sorts were virtually nonexistent since they were frowned upon by official powers so that attempts to produce any were apt to cause one’s public humiliation and possibly even death by the Red Guards and other unofficial arms of the government. After 1976, in the wake of Mao’s death, literature slowly regained its importance in China, and by the mid-1980s dark, angry, satirical writings had become quite prominent on the mainland. In the wake of Tiananmen Square, dark literature faded somewhat, but never vanished. Now Howard Goldblatt, a prominent translator of Chinese fiction and editor of the critical magazine Modern Chinese Literature, has compiled a representative collection of contemporary Chinese fiction entitled Chairman Mao Would Not Be Amused. Even with my limited knowledge of modern China I feel certain the title of the book is fairly accurate. Mo Yan is one of my favorite contemporary writers. His dark, no-holds-barred satires Red Sorghum and The Garlic Ballads detailed what he sees as the failings of both Chinese peasants (of which he was born as one) and the Chinese leaders. His short story "The Cure" is in the same vein, detailing how a local government representative-probably self-appointed during the Cultural Revolution, although that is never made quite clear in the story-leads a lynching of the village’s two most prominent leaders and their wives. But, as in most Mo Yan stories, the bitterness directed at the lyncher is double-edged with the bitter look at a local peasant who sees the deaths of the two village leaders as a desperate chance to possibly rescue his mother from impending blindness. The story is coldly realistic and totally chilling in the rational way it treats the series of events. Su Tong is the author of the novella "Raise The Red Lantern", the basis of the wonderful movie. His "The Brothers Shu" is a bitter look at some traditional character weaknesses of Chinese people, and particularly how they affect family life. The Shu family is incredibly dysfunctional. The father nightly climbs up the side of his two-family house to have sex with the woman upstairs until her husband bolts her windows shut. So the woman sneaks downstairs to have sex in the younger son’s bedroom while the son is tied to his bed, gagged and blindfolded. Meanwhile the elder son abuses the girl upstairs until she falls in love with him. When she becomes pregnant, they are both so shamed they form a suicide pact, tie themselves together and jump into a river, where the boy is rescued in time but the girl dies. The younger son so hates his older brother-somewhat deservedly considering the abuse heaped on him by the brother-that he pours gasoline through his bedroom and sets it ablaze. And so on, complete with beatings and torments worthy of the most dysfunctional American families. While not a particularly likeable cast of characters, the story is strong and thoughtful. Perhaps the most moving part about "First Person", by Shi Tiesheng is in the brief author description in the back of the book. Shi is described as “crippled during the Cultural Revolution”. So many lives were needlessly destroyed during that tumultuous decade, it is easy to feel that the arrest and subsequent conviction of the notorious Gang of Four was not nearly sufficient punishment for them. "First Person" tells the story of a man with a heart condition-Shi frequently writes about the lives of handicapped people, according to his description-who is visiting his new 21st floor apartment for the first time. While climbing the stairs very slowly, taking frequent rests, he notices a cemetery separated from the apartment building by a huge wall. On one side of the wall is sitting a woman, while on the other side stands a man. As the man climbs the stairs he fantasizes about why the couple are there, and why they are separated by the wall. Perhaps the man is having an affair, and the wife is spying on him as he rendezvous with his lover? But then the man notices a baby lying on a gravesite, being watched from a distance by the man, and he realizes that the couple is abandoning the child. An interesting story about the fanciful delusions a person can have, but with no real depth beyond that. Two stories involve fear of dentists in completely different ways. Wang Meng’s "A String of Choices" is a very funny story that combines a bitter look at both Eastern and Western medicine with perhaps the most extreme case of fear of dentists imaginable. Chen Ran’s "Sunshine Between the Lips" tells of a young girl whose adult male friend exposes himself to her. If that were not traumatic enough, after he is arrested for exposing himself to a complete stranger, he sets his apartment on fire and dies a brutal death. This event, combined with a near-fatal bout of meningitis, creates in the girl a deep fear of phallic objects such as needles and penises. So imagine her trauma when she develops impacted wisdom teeth at the same time as she gets married. While this description might sound a bit ludicrous, this story is very serious and very well-executed. A strong satire on how history can be rewritten to suit the writers’ needs is Li Xiao’s "Grass on the Rooftop". When a peasant’s hut goes on fire, he is rescued by a local student. The rescue is written up for an elementary school newspaper by a local child, but the story is picked up by other papers, changing radically with each reprinting until the rescuing student becomes a great hero of the Maoist revolution because of his supposed attempt to rescue a nonexistent portrait of Mao on the wall of the hut. While this story is uniquely Chinese in many ways, it resonates in all societies in which pride and agenda is often more important than the truth. Anybody interested in a look at contemporary Chinese society should enjoy this collection immensely.